Hennig, Holger

[["dc.bibliographiccitation.artnumber","e26457"],["dc.bibliographiccitation.issue","10"],["dc.bibliographiccitation.journal","PLoS ONE"],["dc.bibliographiccitation.volume","6"],["dc.contributor.author","Hennig, Holger"],["dc.contributor.author","Fleischmann, Ragnar"],["dc.contributor.author","Fredebohm, Anneke"],["dc.contributor.author","Hagmayer, York"],["dc.contributor.author","Nagler, Jan"],["dc.contributor.author","Witt, Annette"],["dc.contributor.author","Theis, Fabian J."],["dc.contributor.author","Geisel, Theo"],["dc.date.accessioned","2018-11-07T08:50:38Z"],["dc.date.available","2018-11-07T08:50:38Z"],["dc.date.issued","2011"],["dc.description.abstract","Although human musical performances represent one of the most valuable achievements of mankind, the best musicians perform imperfectly. Musical rhythms are not entirely accurate and thus inevitably deviate from the ideal beat pattern. Nevertheless, computer generated perfect beat patterns are frequently devalued by listeners due to a perceived lack of human touch. Professional audio editing software therefore offers a humanizing feature which artificially generates rhythmic fluctuations. However, the built-in humanizing units are essentially random number generators producing only simple uncorrelated fluctuations. Here, for the first time, we establish long-range fluctuations as an inevitable natural companion of both simple and complex human rhythmic performances. Moreover, we demonstrate that listeners strongly prefer long-range correlated fluctuations in musical rhythms. Thus, the favorable fluctuation type for humanizing interbeat intervals coincides with the one generically inherent in human musical performances."],["dc.identifier.doi","10.1371/journal.pone.0026457"],["dc.identifier.isi","000296519600019"],["dc.identifier.pmid","22046289"],["dc.identifier.purl","https://resolver.sub.uni-goettingen.de/purl?gs-1/8345"],["dc.identifier.uri","https://resolver.sub.uni-goettingen.de/purl?gro-2/21739"],["dc.notes.intern","Merged from goescholar"],["dc.notes.status","zu prüfen"],["dc.notes.submitter","Najko"],["dc.relation.issn","1932-6203"],["dc.rights","CC BY 2.5"],["dc.rights.uri","https://creativecommons.org/licenses/by/2.5"],["dc.title","The Nature and Perception of Fluctuations in Human Musical Rhythms"],["dc.type","journal_article"],["dc.type.internalPublication","yes"],["dc.type.peerReviewed","yes"],["dc.type.version","published_version"],["dspace.entity.type","Publication"]]

[["dc.bibliographiccitation.artnumber","015202"],["dc.bibliographiccitation.issue","1"],["dc.bibliographiccitation.journal","PHYSICAL REVIEW E"],["dc.bibliographiccitation.volume","76"],["dc.contributor.author","Hennig, Holger"],["dc.contributor.author","Fleischmann, Ragnar"],["dc.contributor.author","Hufnagel, L."],["dc.contributor.author","Geisel, Theo"],["dc.date.accessioned","2018-11-07T11:01:17Z"],["dc.date.available","2018-11-07T11:01:17Z"],["dc.date.issued","2007"],["dc.description.abstract","In mesoscopic systems, conductance fluctuations are a sensitive probe of electron dynamics and chaotic phenomena. We show that the conductance of a purely classical chaotic system, with either fully chaotic or mixed phase space, generically exhibits fractal conductance fluctuations unrelated to quantum interference. This might explain the unexpected dependence of the fractal dimension of the conductance curves on the (quantum) phase breaking length observed in experiments on semiconductor quantum dots."],["dc.identifier.doi","10.1103/PhysRevE.76.015202"],["dc.identifier.isi","000248552600004"],["dc.identifier.pmid","17677525"],["dc.identifier.uri","https://resolver.sub.uni-goettingen.de/purl?gro-2/51114"],["dc.notes.status","zu prüfen"],["dc.notes.submitter","Najko"],["dc.publisher","Amer Physical Soc"],["dc.relation.issn","2470-0053"],["dc.relation.issn","2470-0045"],["dc.title","Fractal conductance fluctuations of classical origin"],["dc.type","journal_article"],["dc.type.internalPublication","yes"],["dc.type.peerReviewed","yes"],["dc.type.status","published"],["dspace.entity.type","Publication"]]

[["dc.bibliographiccitation.firstpage","64"],["dc.bibliographiccitation.issue","7"],["dc.bibliographiccitation.journal","Physics Today"],["dc.bibliographiccitation.lastpage","65"],["dc.bibliographiccitation.volume","65"],["dc.contributor.author","Hennig, Holger"],["dc.contributor.author","Fleischmann, Ragnar"],["dc.contributor.author","Geisel, Theo"],["dc.date.accessioned","2018-11-07T09:08:37Z"],["dc.date.available","2018-11-07T09:08:37Z"],["dc.date.issued","2012"],["dc.identifier.isi","000306302300022"],["dc.identifier.uri","https://resolver.sub.uni-goettingen.de/purl?gro-2/26075"],["dc.notes.status","zu prüfen"],["dc.notes.submitter","Najko"],["dc.publisher","Amer Inst Physics"],["dc.relation.issn","0031-9228"],["dc.title","Musical rhythms: The science of being slightly off"],["dc.type","journal_article"],["dc.type.internalPublication","yes"],["dc.type.peerReviewed","yes"],["dc.type.status","published"],["dc.type.subtype","letter_note"],["dspace.entity.type","Publication"]]