Gross, Andrew S.

[["dc.bibliographiccitation.firstpage","253"],["dc.bibliographiccitation.lastpage","266"],["dc.contributor.author","Gross, Andrew"],["dc.contributor.editor","Benesch, Klaus"],["dc.contributor.editor","Specq, François"],["dc.date.accessioned","2017-10-16T10:53:56Z"],["dc.date.available","2017-10-16T10:53:56Z"],["dc.date.issued","2016"],["dc.description.abstract","This chapter explores how those attempting to recuperate Ezra Pound’s poetry after World War II misunderstood his epic project as a lyrical one. He was read as a personal or subjectivist writer by a generation of poets who turned to “walk poetry” as one of their primary lyrical forms. Pound also wrote walk poems, but they did not foreground the open-ended freedom celebrated by postwar poets, rather the constraining influence exercised by a landscape already shaped by cultural traditions. It makes sense, I argue, to read Pound’s walk poems as expressions of confinement and freedom, and to explore the hidden constraints lurking behind the postwar lyrics that turn to mobility as a metaphor for personal freedom."],["dc.identifier.doi","10.1057/978-1-137-60364-7_18"],["dc.identifier.gro","3146508"],["dc.identifier.uri","https://resolver.sub.uni-goettingen.de/purl?gro-2/9158"],["dc.language.iso","en"],["dc.notes.status","final"],["dc.publisher","Palgrave Macmillan US"],["dc.publisher.place","New York"],["dc.relation.doi","10.1057/978-1-137-60364-7"],["dc.relation.isbn","978-1-137-60282-4"],["dc.relation.ispartof","Walking and the Aesthetics of Modernity"],["dc.title","Pound, Peripatetic Verse, and the Postwar Liberal Aesthetic"],["dc.type","book_chapter"],["dc.type.internalPublication","unknown"],["dc.type.peerReviewed","no"],["dspace.entity.type","Publication"]]