Meier, Franziska

[["dc.contributor.author","Meier, Franziska"],["dc.date.accessioned","2020-04-20T08:59:03Z"],["dc.date.available","2020-04-20T08:59:03Z"],["dc.date.issued","2018"],["dc.format.extent","127"],["dc.identifier.isbn","978-3-406-71929-5"],["dc.identifier.isbn","3-406-71929-5"],["dc.identifier.uri","https://resolver.sub.uni-goettingen.de/purl?gro-2/64212"],["dc.language.iso","de"],["dc.publisher","C.H. Beck"],["dc.publisher.place","München"],["dc.title","Dantes Göttliche Komödie"],["dc.title.subtitle","Eine Einführung"],["dc.type","book"],["dc.type.internalPublication","unknown"],["dspace.entity.type","Publication"]]

[["dc.bibliographiccitation.journal","Kunstgeschichte"],["dc.contributor.author","Meier, Franziska"],["dc.date.accessioned","2019-07-10T08:11:47Z"],["dc.date.available","2019-07-10T08:11:47Z"],["dc.date.issued","2013"],["dc.description.abstract","Der Artikel befasst sich anhand von Sandro Botticellis Dante-Zeichnungen mit dem Phänomen einer Renaissance des Mittelalters, wie es in Literatur und in den Künsten des Quattrocentos zu beobachten ist. These ist, dass der Rezeption der Commedia darin eine treibende Kraft zukommt. Entgegen der Ansicht, dass sich Maler wie Leonardo da Vinci, Michelangelo oder Botticelli dem neuplatonischen Dante-Kommentar Cristoforo Landinos nur anschlossen, will dieser Artikel zeigen, dass sie einen eigenen, sehr scharfsinnigen Zugang zur »Commedia« fanden. Dante half ihnen, ihr Selbstverständnis als eigenständige Künstler und Vermittler von Heilswahrheiten neu zu begründen; zudem stimulierte er sie zu einer Reflexion über den Umgang mit künstlerischen Mitteln."],["dc.format.extent","26"],["dc.identifier.fs","599716"],["dc.identifier.purl","https://resolver.sub.uni-goettingen.de/purl?gs-1/10772"],["dc.identifier.uri","https://resolver.sub.uni-goettingen.de/purl?gro-2/60797"],["dc.language.iso","de"],["dc.notes.intern","Merged from goescholar"],["dc.relation.issn","1868-0542"],["dc.relation.orgunit","Philosophische Fakultät"],["dc.rights","CC BY 3.0"],["dc.rights.uri","https://creativecommons.org/licenses/by/3.0/"],["dc.subject.ddc","100"],["dc.title","Renaissance des Mittelalters? Zu den Dante-Illustrationen von Sandro Botticelli"],["dc.type","journal_article"],["dc.type.internalPublication","yes"],["dc.type.version","published_version"],["dspace.entity.type","Publication"]]

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[["dc.contributor.author","Meier, Franziska"],["dc.date.accessioned","2021-06-28T09:35:28Z"],["dc.date.available","2021-06-28T09:35:28Z"],["dc.date.issued","2019-05-14"],["dc.identifier.uri","https://resolver.sub.uni-goettingen.de/purl?gro-2/87339"],["dc.relation.conference","Das sogenannte Böse: Das Verbrechen aus interdisziplinärer Perspektive"],["dc.relation.date","2019-05-14"],["dc.relation.eventlocation","Göttingen"],["dc.relation.multimedia","https://goedoc.uni-goettingen.de/docs/audio/ring2019-05-14.mp3"],["dc.relation.multimedia","https://www.youtube.com/watch?v=LN5xYN69P4s"],["dc.title","Das Böse in uns – Ein Streifzug durch die europäische Literatur"],["dc.type","lecture"],["dc.type.internalPublication","yes"],["dspace.entity.type","Publication"]]

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[["dc.bibliographiccitation.firstpage","1"],["dc.bibliographiccitation.issue","1"],["dc.bibliographiccitation.journal","MLN"],["dc.bibliographiccitation.lastpage","20"],["dc.bibliographiccitation.volume","132"],["dc.contributor.author","Meier, Franziska"],["dc.date.accessioned","2020-12-10T18:42:00Z"],["dc.date.available","2020-12-10T18:42:00Z"],["dc.date.issued","2017"],["dc.identifier.doi","10.1353/mln.2017.0000"],["dc.identifier.eissn","1080-6598"],["dc.identifier.uri","https://resolver.sub.uni-goettingen.de/purl?gro-2/77764"],["dc.language.iso","en"],["dc.notes.intern","DOI Import GROB-354"],["dc.title","The Afterlives of Buffalmacco: The Decameron’s Impact on Giorgio Vasari’s Two Editions of the Vite"],["dc.type","journal_article"],["dc.type.internalPublication","yes"],["dspace.entity.type","Publication"]]

[["dc.bibliographiccitation.firstpage","177"],["dc.bibliographiccitation.issue","1"],["dc.bibliographiccitation.journal","Deutsches Dante-Jahrbuch"],["dc.bibliographiccitation.lastpage","180"],["dc.bibliographiccitation.volume","96"],["dc.contributor.affiliation","Meier, Franziska;"],["dc.contributor.author","Meier, Franziska"],["dc.date.accessioned","2022-11-28T11:09:03Z"],["dc.date.available","2022-11-28T11:09:03Z"],["dc.date.issued","2021-10-01"],["dc.date.updated","2022-11-27T10:28:19Z"],["dc.identifier.doi","10.1515/dante-2021-0032"],["dc.identifier.uri","https://resolver.sub.uni-goettingen.de/purl?gro-2/117637"],["dc.language.iso","de"],["dc.publisher","De Gruyter"],["dc.relation.eissn","2194-4059"],["dc.relation.issn","0070-444X"],["dc.title","Dante e la cultura fiorentina. Bono Giamboni, Brunetto Latini e la formazione intellettuale dei laici, a cura di Zygmunt G. Barański/Theodore J. Cachey Jr./Luca Lombardo, Salerno Editrice, Roma 2019, 254 S."],["dc.type","journal_article"],["dspace.entity.type","Publication"]]

[["dc.bibliographiccitation.firstpage","54"],["dc.bibliographiccitation.issue","1"],["dc.bibliographiccitation.journal","Deutsches Dante-Jahrbuch"],["dc.bibliographiccitation.lastpage","65"],["dc.bibliographiccitation.volume","97"],["dc.contributor.affiliation","Meier, Franziska;"],["dc.contributor.author","Meier, Franziska"],["dc.date.accessioned","2022-11-28T08:46:48Z"],["dc.date.available","2022-11-28T08:46:48Z"],["dc.date.issued","2022-11-15"],["dc.date.updated","2022-11-27T10:10:37Z"],["dc.description.abstract","Riassunto\r\n L’articolo parte dall’ipotesi che l’università di Gottinga, innanzitutto il suo dipartimento di filologia greca e antica, abbia avuto un qualche ruolo nel rinnovamento della filologia dantesca quale Michele Barbi l’aveva richiesto e promosso lungo la sua carriera. La figura di chiave per evidenziare questa connessione sorprendente è Giorgio Pasquali che prima della prima guerra mondiale giunse a Gottinga dove proseguì i suoi studi, fece la abilitazione e fu nominato professore. Lo scoppio della guerra poi lo costrinse a ritornare in Italia, a Firenze dove avrebbe praticato e propagato la nuova metodologia filologica tedesca. È vero che fin dall’Ottocento gli storici e filologi italiani s’ispirarono alle metodologie filologiche tedesche. Pasquali, tuttavia, andò oltre confrontandosi con i raffinamenti che Ulrich von Wilamowitz-Moellendorf aveva apportato allo studio e all’edizione dei testi antichi. Nel 1934 Pasquali pubblicò la monografia Storia della tradizione e la critica del testo che non ebbe soltanto un impatto sulla filologia greca e latina in Italia, ma anche sul giovane Gianfranco Contini e, a modo suo, su Michele Barbi in maniera notevole."],["dc.identifier.doi","10.1515/dante-2022-0005"],["dc.identifier.uri","https://resolver.sub.uni-goettingen.de/purl?gro-2/117272"],["dc.language.iso","de"],["dc.relation.eissn","2194-4059"],["dc.relation.issn","0070-444X"],["dc.title","Giorgio Pasquali und die Filologia dantesca"],["dc.title.subtitle","Ein Beitrag Göttingens zu den Dante Studies"],["dc.type","journal_article"],["dc.type.internalPublication","yes"],["dspace.entity.type","Publication"]]

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