Gross, Andrew S.

[["dc.bibliographiccitation.firstpage","73"],["dc.bibliographiccitation.issue","2"],["dc.bibliographiccitation.journal","Journeys: The International Journal of Travel and Travel Writing"],["dc.bibliographiccitation.lastpage","100"],["dc.bibliographiccitation.volume","7"],["dc.contributor.author","Gross, Andrew"],["dc.date.accessioned","2017-09-07T11:43:16Z"],["dc.date.available","2017-09-07T11:43:16Z"],["dc.date.issued","2006"],["dc.identifier.gro","3145281"],["dc.identifier.uri","https://resolver.sub.uni-goettingen.de/purl?gro-2/2988"],["dc.notes.status","public"],["dc.notes.submitter","switt"],["dc.publisher","Berghahn"],["dc.relation.eissn","1752-2358"],["dc.relation.issn","1465-2609"],["dc.title","Holocaust Tourism in Berlin: Religion, Politics, and the Negative Sublime"],["dc.type","journal_article"],["dc.type.internalPublication","unknown"],["dc.type.peerReviewed","no"],["dspace.entity.type","Publication"]]

[["dc.bibliographiccitation.firstpage","1"],["dc.bibliographiccitation.journal","New American Studies Journal"],["dc.bibliographiccitation.lastpage","10"],["dc.bibliographiccitation.volume","72"],["dc.contributor.author","Brooks, Lecia"],["dc.contributor.author","Gross, Andrew S."],["dc.date.accessioned","2022-05-19T06:23:14Z"],["dc.date.available","2022-05-19T06:23:14Z"],["dc.date.issued","2022"],["dc.description.abstract","On November 26, 2021, Lecia Brooks, the Chief of Staff and Culture of the Southern Poverty Law Center, visited Göttingen on a lecture tour initiated by the Georg-August-Universität and sponsored, in large part, by the United States Embassy. I interviewed Brooks before her talk. What follows is a condensed ver- sion of our conversation, edited and reorganized for readability."],["dc.identifier.doi","10.18422/72-09"],["dc.identifier.uri","https://resolver.sub.uni-goettingen.de/purl?gro-2/108074"],["dc.language.iso","en"],["dc.relation.issn","2750-7327"],["dc.relation.orgunit","Abteilung Nordamerikastudien"],["dc.rights","CC BY-NC-ND 4.0"],["dc.title","Activism and Civil Society"],["dc.type","journal_article"],["dc.type.internalPublication","yes"],["dc.type.subtype","original_ja"],["dc.type.version","published_version"],["dspace.entity.type","Publication"]]

[["dc.bibliographiccitation.firstpage","287"],["dc.bibliographiccitation.issue","3-4"],["dc.bibliographiccitation.journal","Kritikon Litterarum"],["dc.bibliographiccitation.lastpage","293"],["dc.bibliographiccitation.volume","46"],["dc.contributor.affiliation","Gross, Andrew;"],["dc.contributor.author","Gross, Andrew"],["dc.date.accessioned","2022-11-28T10:22:48Z"],["dc.date.available","2022-11-28T10:22:48Z"],["dc.date.issued","2019-10-30"],["dc.date.updated","2022-11-27T10:12:50Z"],["dc.identifier.doi","10.1515/kl-2019-0040"],["dc.identifier.uri","https://resolver.sub.uni-goettingen.de/purl?gro-2/117413"],["dc.language.iso","en"],["dc.publisher","De Gruyter Mouton"],["dc.relation.eissn","1865-7249"],["dc.relation.issn","0340-9767"],["dc.title","Review Essay"],["dc.type","journal_article"],["dspace.entity.type","Publication"]]

[["dc.bibliographiccitation.volume","183"],["dc.contributor.author","Gross, Andrew"],["dc.contributor.author","Rohr, Susanne"],["dc.date.accessioned","2017-09-07T11:43:12Z"],["dc.date.available","2017-09-07T11:43:12Z"],["dc.date.issued","2010"],["dc.format.extent","206"],["dc.identifier.gro","3145285"],["dc.identifier.isbn","978-3-8253-5726-9"],["dc.identifier.uri","https://resolver.sub.uni-goettingen.de/purl?gro-2/2993"],["dc.notes.intern","aufklärung"],["dc.notes.status","public"],["dc.notes.submitter","switt"],["dc.publisher","Winter"],["dc.publisher.place","Heidelberg"],["dc.relation.crisseries","American Studies: a Monograph Series"],["dc.relation.ispartofseries","American studies : a monograph series"],["dc.title","Comedy, Avant-Garde, Scandal: Remembering the Holocaust after the End of History"],["dc.type","book"],["dc.type.internalPublication","unknown"],["dc.type.peerReviewed","no"],["dspace.entity.type","Publication"]]

[["dc.bibliographiccitation.firstpage","25"],["dc.bibliographiccitation.issue","1"],["dc.bibliographiccitation.journal","Biography"],["dc.bibliographiccitation.lastpage","47"],["dc.bibliographiccitation.volume","27"],["dc.contributor.author","Gross, Andrew"],["dc.contributor.author","Hoffman, Michael J."],["dc.date.accessioned","2017-10-16T10:53:56Z"],["dc.date.available","2017-10-16T10:53:56Z"],["dc.date.issued","2004"],["dc.identifier.doi","10.1353/bio.2004.0033"],["dc.identifier.gro","3146504"],["dc.identifier.uri","https://resolver.sub.uni-goettingen.de/purl?gro-2/9154"],["dc.language.iso","en"],["dc.notes.status","final"],["dc.relation.issn","1529-1456"],["dc.title","Memory, Authority, and Identity: Holocaust Studies in Light of the Wilkomirski Debate"],["dc.type","journal_article"],["dc.type.internalPublication","unknown"],["dc.type.peerReviewed","no"],["dspace.entity.type","Publication"]]

[["dc.bibliographiccitation.firstpage","253"],["dc.bibliographiccitation.lastpage","266"],["dc.contributor.author","Gross, Andrew"],["dc.contributor.editor","Benesch, Klaus"],["dc.contributor.editor","Specq, François"],["dc.date.accessioned","2017-10-16T10:53:56Z"],["dc.date.available","2017-10-16T10:53:56Z"],["dc.date.issued","2016"],["dc.description.abstract","This chapter explores how those attempting to recuperate Ezra Pound’s poetry after World War II misunderstood his epic project as a lyrical one. He was read as a personal or subjectivist writer by a generation of poets who turned to “walk poetry” as one of their primary lyrical forms. Pound also wrote walk poems, but they did not foreground the open-ended freedom celebrated by postwar poets, rather the constraining influence exercised by a landscape already shaped by cultural traditions. It makes sense, I argue, to read Pound’s walk poems as expressions of confinement and freedom, and to explore the hidden constraints lurking behind the postwar lyrics that turn to mobility as a metaphor for personal freedom."],["dc.identifier.doi","10.1057/978-1-137-60364-7_18"],["dc.identifier.gro","3146508"],["dc.identifier.uri","https://resolver.sub.uni-goettingen.de/purl?gro-2/9158"],["dc.language.iso","en"],["dc.notes.status","final"],["dc.publisher","Palgrave Macmillan US"],["dc.publisher.place","New York"],["dc.relation.doi","10.1057/978-1-137-60364-7"],["dc.relation.isbn","978-1-137-60282-4"],["dc.relation.ispartof","Walking and the Aesthetics of Modernity"],["dc.title","Pound, Peripatetic Verse, and the Postwar Liberal Aesthetic"],["dc.type","book_chapter"],["dc.type.internalPublication","unknown"],["dc.type.peerReviewed","no"],["dspace.entity.type","Publication"]]

[["dc.bibliographiccitation.firstpage","162"],["dc.bibliographiccitation.lastpage","176"],["dc.bibliographiccitation.seriesnr","4"],["dc.contributor.author","Gross, Andrew"],["dc.contributor.editor","Müller, Timo"],["dc.date.accessioned","2017-10-16T10:53:56Z"],["dc.date.available","2017-10-16T10:53:56Z"],["dc.date.issued","2017"],["dc.description.abstract","The Great Gatsby became central to American literary history only after F. Scott Fitzgerald’s death in 1940. Many of the author’s contemporaries saw the novel as a celebration of the excesses of the Roaring Twenties. Midcentury scholars, however, began to point out that Gatsby’s materialism is actually idealistic, and that his accumulation of wealth to win back his lost love Daisy is an allegory of the American Dream. The chapter positions itself in this line of criticism by describing Gatsby as a tragic hero whose failure calls into question the myths of self-invention and success. The novel’s elegiac tone, focalized through the narrative perspective of Nick Carraway, places it in a tradition of Anglo-American modernism that addresses social change by mourning the loss of traditional cultural values."],["dc.identifier.doi","10.1515/9783110422429-012"],["dc.identifier.gro","3146505"],["dc.identifier.uri","https://resolver.sub.uni-goettingen.de/purl?gro-2/9155"],["dc.language.iso","en"],["dc.notes.status","final"],["dc.publisher","De Gruyter"],["dc.publisher.place","Berlin, Boston"],["dc.relation.crisseries","Handbooks of English and American Studies"],["dc.relation.doi","10.1515/9783110422429"],["dc.relation.isbn","978-3-11-042242-9"],["dc.relation.ispartof","Handbook of the American Novel of the Twentieth and Twenty-First Centuries"],["dc.relation.ispartofseries","Handbooks of English and American Studies; 4"],["dc.title","F. Scott Fitzgerald, The Great Gatsby (1925)"],["dc.type","book_chapter"],["dc.type.internalPublication","unknown"],["dc.type.peerReviewed","no"],["dspace.entity.type","Publication"]]

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[["dc.bibliographiccitation.firstpage","191"],["dc.bibliographiccitation.lastpage","206"],["dc.contributor.author","Gross, Andrew"],["dc.contributor.editor","Leo, John"],["dc.contributor.editor","Paryż, Marek"],["dc.date.accessioned","2017-09-07T11:43:08Z"],["dc.date.available","2017-09-07T11:43:08Z"],["dc.date.issued","2015"],["dc.identifier.gro","3145274"],["dc.identifier.uri","https://resolver.sub.uni-goettingen.de/purl?gro-2/2981"],["dc.notes.intern","aufklärung"],["dc.notes.status","public"],["dc.notes.submitter","switt"],["dc.publisher","Palgrave Macmillan"],["dc.publisher.place","New York"],["dc.relation.isbn","978-1-137-53127-8"],["dc.relation.ispartof","The Post-2000 Film Western"],["dc.title","Post-Apocalyptic Prophecy: The Book of Eli’s Vision of a Forgotten Future"],["dc.type","book_chapter"],["dc.type.internalPublication","unknown"],["dc.type.peerReviewed","no"],["dspace.entity.type","Publication"]]

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