Bangert, Daniel

[["dc.bibliographiccitation.firstpage","309"],["dc.bibliographiccitation.issue","2"],["dc.bibliographiccitation.journal","Early Music"],["dc.bibliographiccitation.lastpage","312"],["dc.bibliographiccitation.volume","42"],["dc.contributor.author","Bangert, Daniel"],["dc.date.accessioned","2019-11-27T08:16:54Z"],["dc.date.available","2019-11-27T08:16:54Z"],["dc.date.issued","2014"],["dc.description.abstract","This selection of discs traverses some of the rich repertory for violin from the late Baroque, both solo and accompanied. The twelve recordings discussed in this review mainly date from the first half of the 18th century and include staple German and Italian works alongside less familiar fare."],["dc.identifier.doi","10.1093/em/cau050"],["dc.identifier.uri","https://resolver.sub.uni-goettingen.de/purl?gro-2/62683"],["dc.language.iso","en"],["dc.relation.issn","0306-1078"],["dc.relation.issn","1741-7260"],["dc.title","Baroque violin music"],["dc.type","journal_article"],["dc.type.internalPublication","unknown"],["dspace.entity.type","Publication"]]

[["dc.bibliographiccitation.firstpage","46"],["dc.bibliographiccitation.journal","The Arts in Psychotherapy"],["dc.bibliographiccitation.lastpage","53"],["dc.bibliographiccitation.volume","51"],["dc.contributor.author","Garrido, Sandra"],["dc.contributor.author","Schubert, Emery"],["dc.contributor.author","Bangert, Daniel"],["dc.date.accessioned","2019-11-27T08:30:55Z"],["dc.date.available","2019-11-27T08:30:55Z"],["dc.date.issued","2016"],["dc.description.abstract","Background Music is used in a variety of health contexts for mood regulation purposes. However, while research demonstrates that self-selected music is most effective in using music to alter mood in a positive direction, some people, particularly those with tendencies to depression, may incline towards music that perpetuates a negative mood. Methods Participants were randomly assigned to Happy and Sad music groups and listened to a prescribed playlist for four weeks. Pre- and post- mood measures were taken as well as diaries of mood responses, which were analysed both qualitatively and quantitatively. Results No long-term mood effects were observed. The affective impact was less positive for people with high scores in rumination. However, the diary-taking exercise raised participant awareness of mood impacts and increased deliberateness of music use in some participants. Conclusions Researcher-selected music is limited in effectiveness to a single listening session even where playlists are carefully designed to appeal to the sample. However, consciousness-raising programs may be effective in changing the long-term listening habits of people who for whom music choice is sub-optimal as a coping strategy."],["dc.identifier.doi","10.1016/j.aip.2016.09.002"],["dc.identifier.uri","https://resolver.sub.uni-goettingen.de/purl?gro-2/62686"],["dc.language.iso","en"],["dc.relation.issn","0197-4556"],["dc.title","Musical prescriptions for mood improvement: An experimental study"],["dc.type","journal_article"],["dc.type.internalPublication","no"],["dspace.entity.type","Publication"]]

[["dc.contributor.author","Bangert, Daniel"],["dc.date.accessioned","2019-11-27T08:34:07Z"],["dc.date.available","2019-11-27T08:34:07Z"],["dc.date.issued","2014"],["dc.description.abstract","Expressivity in music refers to the production and perception of variation in musical parameters. Music is inexpressive when it is uniform and mechanical, whereas music described as expressive communicates through dynamic fluctuations of acoustic and visual ..."],["dc.identifier.doi","10.4135/9781452283012.n148"],["dc.identifier.uri","https://resolver.sub.uni-goettingen.de/purl?gro-2/62689"],["dc.language.iso","en"],["dc.relation.isbn","978-1-4522-8303-6"],["dc.relation.isbn","978-1-4522-8301-2"],["dc.relation.ispartof","Music in the Social and Behavioral Sciences: An Encyclopedia"],["dc.title","Expressivity"],["dc.type","encyclopedia_article"],["dc.type.internalPublication","no"],["dspace.entity.type","Publication"]]

[["dc.bibliographiccitation.issue","1"],["dc.bibliographiccitation.journal","Insights"],["dc.bibliographiccitation.volume","32"],["dc.contributor.author","Higman, Rosie"],["dc.contributor.author","Bangert, Daniel"],["dc.contributor.author","Jones, Sarah"],["dc.date.accessioned","2019-07-09T11:51:43Z"],["dc.date.available","2019-07-09T11:51:43Z"],["dc.date.issued","2019"],["dc.description.abstract","Open data, FAIR (findable, accessible, interoperable and reusable) and research data management (RDM) are three overlapping but distinct concepts, each emphasizing different aspects of handling and sharing research data. They have different strengths in terms of informing and influencing how research data is treated, and there is much scope for enrichment of data if they are applied collectively. This paper explores the boundaries of each concept and where they intersect and overlap. As well as providing greater definitional clarity, this will help researchers to manage and share their data, and those supporting researchers, such as librarians and data stewards, to understand how these concepts can best be used in an advocacy setting. FAIR and open both focus on data sharing, ensuring content is made available in ways that promote access and reuse. Data management by contrast is about the stewardship of data from the point of conception onwards. It makes no assumptions about access, but is essential if data are to be meaningful to others. The concepts of FAIR and open are more noble aspirations and are, this paper argues, a useful way to engage researchers and encourage good data practices from the outset."],["dc.identifier.doi","10.1629/uksg.468"],["dc.identifier.purl","https://resolver.sub.uni-goettingen.de/purl?gs-1/16174"],["dc.identifier.uri","https://resolver.sub.uni-goettingen.de/purl?gro-2/59993"],["dc.language.iso","en"],["dc.notes.intern","Merged from goescholar"],["dc.relation.issn","2048-7754"],["dc.rights","Goescholar"],["dc.rights.uri","https://goescholar.uni-goettingen.de/licenses"],["dc.subject.ddc","020"],["dc.title","Three camps, one destination: the intersections of research data management, FAIR and Open"],["dc.type","journal_article"],["dc.type.internalPublication","yes"],["dc.type.version","published_version"],["dspace.entity.type","Publication"]]

[["dc.contributor.author","Bangert, Daniel"],["dc.date.accessioned","2019-11-27T08:32:03Z"],["dc.date.available","2019-11-27T08:32:03Z"],["dc.date.issued","2016"],["dc.description.abstract","The Denkmäler der Tonkunst in Österreich (DTÖ) [Monuments of Music in Austria] is a series of critical editions of historical music, primarily by composers born or working in Austria during the sixteenth and seventeenth centuries. The DTÖ was an initiative of the musicologist Guido Adler who served as its founding General Editor. In 1888, the musicologist Guido Adler petitioned the Austrian Ministry of Culture and Education for the publication of a series of editions of historical music (Monumenta Historiae Musices), a project that was to become the DTÖ. Adler became General Editor of the series at a meeting of the Gesellschaft zur Herausgabe von Denkmälern der Tonkunst in Österreich (Society for the Publication of Monuments of Music in Austria) held in 1893, and the first volume of the series appeared in 1894 (Masses by Johann Joseph Fux). Adler served as General Editor in 1893–1938; others who have held the position include Erich Schenk (1939–74) and Othmar Wessely (1974–98). Music critic Eduard Hanslick served as the first president of the DTÖ Society (1893–97) and members of the editorial board have included prominent composers such as Johannes Brahms, Gustav Mahler, and Richard Strauss. The journal Studien zur Musikwissenschaft: Beihefte der Denkmäler der Tonkunst in Österreich Studies in Musicology: Supplements of the DTÖ was founded in 1913."],["dc.identifier.doi","10.4324/9781135000356-REM557-1"],["dc.identifier.uri","https://resolver.sub.uni-goettingen.de/purl?gro-2/62687"],["dc.language.iso","de"],["dc.publisher","Taylor and Francis"],["dc.relation.ispartof","The Routledge Encyclopedia of Modernism"],["dc.title","Denkmäler der Tonkunst in Österreich"],["dc.type","encyclopedia_article"],["dc.type.internalPublication","no"],["dspace.entity.type","Publication"]]

[["dc.bibliographiccitation.volume","D1.5"],["dc.contributor.author","Mueller, Katharina"],["dc.contributor.author","Bärwolff, T."],["dc.contributor.author","Bangert, D."],["dc.contributor.author","Fava, I."],["dc.contributor.orcid","0000-0003-4212-8208"],["dc.creator.author","Müller, Katharina"],["dc.date.accessioned","2021-05-06T06:43:35Z"],["dc.date.available","2021-05-06T06:43:35Z"],["dc.date.issued","2020-09"],["dc.description.abstract","The RDA Europe 4.0 Cascading Grants programme was established in support of multiple project objectives, including to build and strengthen the RDA community, democratise access to funding opportunities in the field of data infrastructures and interoperability, and bring forward the RDA legacy in Europe. The grants programme totalled 751.000 euros, distributed via open calls for Early Career Researchers (ECRs), Experts, Ambassadors, Adoption projects and European National Nodes. Cascading Grants allow the integration of third parties, i.e. \"non project partners\", into a project without being parties of the Grant Agreement themselves, thus enabling a wider scope of action and outreach. Through this mechanism, 87 grants were awarded to externals, including 56 travel grants. More than 30 third party contracts with institutions and individual persons were concluded. This report reflects on the procedures and processes of the grants management as established from the beginning of the project. At first, the set up of the Grants Committee and pool of evaluators are explained. Next, the call process and the related steps are described. The different grant types are presented in detail and the legal and financial management is explained. Summing up, this document evaluates experiences, workflows and best practices and concludes with recommendations for the cascading grants scheme. The aim of the Cascading Grant mechanism was to encourage European participation in RDA and strengthen the community structures. The impact of this work is detailed in the related deliverables D2.3 Final RDA Results, Adoption & Take-Up report, D2.4 Final Impact report on support for EU participation in RDA and D3.5 Coordination of National Nodes Framework"],["dc.format.extent","69"],["dc.identifier.doi","10.5281/ZENODO.4518720"],["dc.identifier.uri","https://resolver.sub.uni-goettingen.de/purl?gro-2/84599"],["dc.identifier.url","https://zenodo.org/record/4518720"],["dc.language.iso","en"],["dc.publisher","Zenodo"],["dc.relation","RDA Europe 4.0"],["dc.title","Cascading Grants Management"],["dc.type","report"],["dc.type.internalPublication","yes"],["dspace.entity.type","Publication"]]

[["dc.bibliographiccitation.firstpage","206"],["dc.bibliographiccitation.issue","2"],["dc.bibliographiccitation.journal","Bibliothek Forschung und Praxis"],["dc.bibliographiccitation.lastpage","221"],["dc.bibliographiccitation.volume","42"],["dc.contributor.author","Nurmikko-Fuller, Terhi"],["dc.contributor.author","Bangert, Daniel"],["dc.contributor.author","Dix, Alan"],["dc.contributor.author","Weigl, David"],["dc.contributor.author","Page, Kevin"],["dc.date.accessioned","2018-07-28T11:23:21Z"],["dc.date.accessioned","2021-10-27T13:19:45Z"],["dc.date.available","2018-07-28T11:23:21Z"],["dc.date.available","2021-10-27T13:19:45Z"],["dc.date.issued","2018"],["dc.description.abstract","Semantic Web technologies such as RDF, OWL, and SPARQL can be successfully used to bridge complementary musicological information. In this paper, we describe, compare, and evaluate the datasets and workflows used to create two such aggregator projects: In Collaboration with In Concert, and JazzCats, both of which bring together a cluster of smaller projects containing concert and performance metadata."],["dc.identifier.doi","10.1515/bfp-2018-0025"],["dc.identifier.purl","https://resolver.sub.uni-goettingen.de/purl?gs-1/15251"],["dc.identifier.uri","https://resolver.sub.uni-goettingen.de/purl?gro-2/91910"],["dc.language.iso","en"],["dc.notes.intern","Migrated from goescholar"],["dc.publisher","De Gruyter"],["dc.relation.eissn","1865-7648"],["dc.relation.issn","1865-7648"],["dc.relation.issn","0341-4183"],["dc.relation.orgunit","Niedersächsische Staats- und Universitätsbibliothek Göttingen"],["dc.rights","Goescholar"],["dc.rights.uri","https://goescholar.uni-goettingen.de/licenses"],["dc.subject.ddc","020"],["dc.title","Building Prototypes Aggregating Musicological Datasets on the Semantic Web"],["dc.title.translated","Die Erstellung prototypischer Anwendungen von verknüpften musikwissenschaftlichen Datensätzen"],["dc.type","journal_article"],["dc.type.internalPublication","yes"],["dc.type.peerReviewed","yes"],["dc.type.version","submitted_version"],["dspace.entity.type","Publication"]]

[["dc.bibliographiccitation.firstpage","690"],["dc.bibliographiccitation.issue","4"],["dc.bibliographiccitation.journal","Early Music"],["dc.bibliographiccitation.lastpage","692"],["dc.bibliographiccitation.volume","45"],["dc.contributor.author","Bangert, Daniel"],["dc.date.accessioned","2019-11-27T08:12:22Z"],["dc.date.available","2019-11-27T08:12:22Z"],["dc.date.issued","2017"],["dc.description.abstract","This batch of recordings testifies to the ongoing appetite for new releases of Johann Sebastian Bach\\’s major works for strings. The eleven discs discussed in this review focus on Bachian works for violin, including those for solo violin, violin and harpsichord as well as the violin concertos."],["dc.identifier.doi","10.1093/em/cax095"],["dc.identifier.uri","https://resolver.sub.uni-goettingen.de/purl?gro-2/62681"],["dc.language.iso","en"],["dc.relation.issn","0306-1078"],["dc.relation.issn","1741-7260"],["dc.title","Testaments to Bach"],["dc.type","journal_article"],["dc.type.internalPublication","unknown"],["dspace.entity.type","Publication"]]

[["dc.bibliographiccitation.firstpage","42"],["dc.bibliographiccitation.lastpage","45"],["dc.contributor.author","Nurmikko-Fuller, Terhi"],["dc.contributor.author","Bangert, Daniel"],["dc.contributor.author","Hao, Yun"],["dc.contributor.author","Downie, J. Stephen"],["dc.date.accessioned","2019-11-27T08:10:28Z"],["dc.date.available","2019-11-27T08:10:28Z"],["dc.date.issued","2018"],["dc.description.abstract","The jazz performance metadata prototype JazzCats:Jazz Collection of Aggregated Triples uses Linked Data to bridge four discrete jazz music datasets: Linked Jazz, with prosopographical and interpersonal information about musicians; the Weimar Jazz Database (WJazzD), containing musicological metadata; a discography of the jazz standard Body&Soul; and J-DISC, a fourth independent but complementary and extensive discographic project. Through the use of custom-built ontological structures the data, originally stored in various different information structures, has been converted to RDF and merged together in a single triplestore. The result is a new digital resource that can be used to support and enrich scholarship and research in musicology and performance studies."],["dc.identifier.doi","10.1145/3243907.3243914"],["dc.identifier.uri","https://resolver.sub.uni-goettingen.de/purl?gro-2/62680"],["dc.language.iso","en"],["dc.relation.conference","1st International Workshop on Semantic Applications for Audio and Music"],["dc.relation.eventend","2018-10-09"],["dc.relation.eventlocation","Monterey, CA, USA"],["dc.relation.eventstart","2018-10-09"],["dc.relation.isbn","978-1-4503-6495-9"],["dc.relation.ispartof","Proceedings of the 1st International Workshop on Semantic Applications for Audio and Music"],["dc.title","Swinging Triples"],["dc.type","conference_paper"],["dc.type.internalPublication","yes"],["dspace.entity.type","Publication"]]

[["dc.bibliographiccitation.firstpage","74"],["dc.bibliographiccitation.lastpage","77"],["dc.contributor.author","Bangert, Daniel"],["dc.contributor.author","Nurmikko-Fuller, Terhi"],["dc.contributor.author","Downie, J. Stephen"],["dc.contributor.author","Hao, Yun"],["dc.date.accessioned","2018-11-28T09:49:03Z"],["dc.date.available","2018-11-28T09:49:03Z"],["dc.date.issued","2018"],["dc.identifier.doi","10.1145/3273024.3273031"],["dc.identifier.purl","https://resolver.sub.uni-goettingen.de/purl?gs-1/15359"],["dc.identifier.uri","https://resolver.sub.uni-goettingen.de/purl?gro-2/56981"],["dc.notes.intern","Merged from goescholar"],["dc.notes.status","zu prüfen"],["dc.relation.conference","Digital Libraries for Musicology"],["dc.relation.eventlocation","Paris"],["dc.relation.eventstart","2018-09-28"],["dc.relation.isbn","978-1-4503-6522-2"],["dc.relation.ispartof","Proceedings of the 5th International Conference on Digital Libraries for Musicology"],["dc.rights","Goescholar"],["dc.rights.uri","https://goescholar.uni-goettingen.de/licenses"],["dc.title","JazzCats: Navigating an RDF triplestore of integrated performance metadata"],["dc.type","conference_paper"],["dc.type.internalPublication","unknown"],["dc.type.version","submitted_version"],["dspace.entity.type","Publication"]]